... Stephanie Cage, who is returning to my page to talk about the serialisation of her latest story on her own blog...
AW You say The Crash is going to be a difficult
fit for a standard publisher - is that your only reason for serialising this
story on your blog?
SC It’s the reason I haven’t tried to publish The Crash sooner. I couldn’t work out how to pitch a book which
one friend describes as belonging to the category of “novels about bosses you
love to hate”. That’s a pretty narrow
category!
I tend to
think of The Crash as belonging to
the category of ‘didactic novels’, which get a bad press nowadays, but which
I’m quite fond of reading. Apart from
being partly inspired by Dickens, it also came out of my experience in
business. I’d helped to write some books
and reports about Internal Communications, and around that time I also read
Eliyahu Goldratt’s The Goal, which
tries to teach business theory through a story, and I thought it would be fun
to dramatise some of the lessons I’d learned during my research.
AW
Goldratt’s The Goal, great
book and I’ve used the principles in there many times, myself. But, I’m interrupting…
SC I wrote the novel quite quickly as a NaNoWriMo (National
Novel Writing Month) challenge, and then I put it away because I couldn’t
imagine what I’d do with it. But friends
who’d read snippets kept asking me about the rest of Jason’s story, so in the
end I decided I needed to put it out there, one way or another. Blogging it seems like a good way of doing
that, as it means I can keep making changes as I go, and test out readers’
reactions. It’s all a bit of an
experiment really, but at the end I do plan to turn it into a book and e-book
as well – if only so I can give my Mum a copy as she’s a bit of a Jason fan! I’ve got as far as having a cover designed
now, so keep reading to get a sneak preview of what the finished book will look
like.
AW Dickens did it, Collins did it, as have many other
authors, so serialising a book has a long and well established history. Is
it now a bit old hat, do you think?
SC
I have to admit that Dickens was part of the inspiration for this story,
but of course the tradition of serialising stories goes back a lot
further. In particular, Scheherazade
comes to mind. She certainly grasped the
power of suspense and the need to keep an audience hanging so that they’ll come
back. Writers of soap operas and other
TV dramas continue to use the same techniques today and I don’t think there’s
anything wrong with that. As long as
people value stories and want answers to the question ‘what happens next?’ then
the serial will continue to thrive – what changes is not the structure but the
content and the presentation of the stories.
Scheherazade, from my C19th edition of The Arabian Nights |
For
example, in the time I’ve been writing, e-books have gone from a puzzling novelty
to part of the mainstream, a change which has affected readers and writers in
all kinds of ways. One effect I’ve
noticed is that electronic publishing has removed the economic and practical
restrictions on the sizes of books so it’s now easy to get hold of anything
from short stories and novellas that can be read in a single sitting to vast
tomes (often, but not always, in the sci-fi and fantasy arena) that would have
been unpublishable a few years ago. I
think e-books make experimentation a lot easier, but ultimately, it’s hard to
come up with anything entirely new when it comes to stories, because they’re so
much a part of human nature and so ingrained in us.
AW You
introduced your central character to us here on my blog in September last year and I re-ran the post, how has he developed and/or changed since then?
SC That’s an interesting question as character
development is a major theme of the story, but actually Jason arrived in my
head pretty much fully formed and has changed very little. The changes I want to make to the story are
less about him, and more about the detail of the events that occur later on in
the story. I haven’t made many changes
to the chapters I’ve published so far, but as the story goes on I’m aware that
there are things I want to tweak, so it’s likely that towards the end I’ll have
to do some work to stay ahead of my weekly publishing schedule. It’s a good thing I enjoy a challenge almost
as much as Jason does!
AW Can you share a little outline of the whole
story with us or are you going to keep us all on tenterhooks from week to week?
SC Well, I’ve already mentioned that the story
was partly inspired by Dickens’ Christmas
Carol so I don’t suppose it will surprise you to hear that some events will
take place which cause Jason to rethink his attitudes. He doesn’t get any visits from the ghosts of
business past, present or future, though – Jason’s comeuppance is much more of
his own making. As far as the details
go, you’ll have to wait and see.
AW Lastly, Stephanie, with your romances in
e-form and print, I know you've dabbled with Sci Fi, you like Fantasy and you
are starting to look at crime as a genre in which to write. What would
your eight-year-old self, make of you today?
SC I guess my eight-year-old self might have been
a little disappointed – I think I was about eight when I decided that my life’s
ambition was to win the Booker prize, and I certainly haven’t done that! In some ways, my aims have changed a lot, in
other ways not so much. At eight I knew
I wanted to write good books, but I hadn’t yet given a lot of thought to what
that might look like, so I seized on something that sounded impressive, and
involved going to a televised awards dinner and wearing a pretty frock.
Although
I loved studying literary fiction (I have a degree in English Literature from
Trinity College, Oxford), after a few years in the working world I realised
that I wanted to write books that more people would read, and that wouldn’t be
too taxing to settle down with after a hard day at the office, so I switched to
writing romance.
I’ve been
lucky enough to be published by two fantastic companies, The Wild Rose Press
(who published Desperate Bid, The Santa Next Door and Djinn and Tonic) and Crimson Romance
(who published Perfect Partners and
the fairy tale anthology Modern Magic,
in which my Goldilocks retelling appears). I’ve also made some great friends through the
Romantic Novelists’ Association (RNA), which hosts excellent awards dinners –
posh frocks and all – but I’ve always read widely and ultimately, I didn’t want
to be tied to just one genre, so I’ve been experimenting with others.
You could
say that with crime I’ve come full circle, as another of my passions aged about
eight was Enid Blyton’s stories, particularly the Famous Five and the Castle of
Adventure series. I’ve also always been
a sucker for moral tales (What Katy Did,
Little Women and Laura Ingalls
Wilder’s Little House series all made
strong impressions on me, and I feel that each of those is very much a story
with a message) so in a sense The Crash
also has its roots in my eight-year-old interests too.
And now
here’s the cover I promised to show you as a reward for reading this far. If you have a moment, I’d love to hear your
feedback in the comments below!
You can catch up on The Crash on Stephanie's Blog
You can catch up on The Crash on Stephanie's Blog
Thanks for having me to visit, Angela - you always ask such interesting questions and these really got me thinking!
ReplyDeleteNo point in having a brain if you don't exercise it, Stephanie!! It was really great that you could find time to visit the blog again, and thank you for choosing James et Moi for the big cover reveal. So exciting!!
ReplyDelete